Nonomura Ninsei was a potter active in Kyoto during the early Edo period, who played a significant role in the development of Kyoto ware. He established the Omuro Kiln in front of the gates of Ninna-ji Temple and produced numerous works characterised by elegant forms adorned with vibrant coloured glazes and gold and silver decorations. In particular, the elegant designs found on tea caddies, incense burners and tea bowls reflect the refined aesthetic sensibilities of court culture and the tea ceremony. He is also known for inscribing the mark ‘Ninsei’ on his own works, making him a pioneering figure who boldly showcased the individuality of the potter.

When viewing Ninsei’s works, one senses a quiet and refined atmosphere even amidst the lavish decoration. The colours are rich yet never garish, and the form of the vessel and its patterns resonate harmoniously with one another. To me, Ninsei’s pottery feels as though it directly reflects the four seasons of Kyoto and its elegant culture upon the surface of the vessel. I believe that the great appeal of Nonomura Ninsei’s works lies not only in the high level of technical skill but also in the grace that brightens the viewer’s heart.