Hashimoto Kansetsu (1883–1945) was a Japanese-style painter born in Kobe who was primarily active in Kyoto. From an early age, he was familiar with classical Chinese studies and Nanga painting, and later studied under Takeuchi Seihō. Possessing a deep understanding of Chinese classics and literati culture, he tackled a wide range of subjects, including figures, landscapes and animals. In particular, in his depictions of animals such as monkeys, horses and dogs, he built a unique world based on meticulous observation, capturing not only their physical form but also their expressions and aura. Kanseki’s defining characteristic lies in his ability to blend the spirit of traditional East Asian painting with a modern eye for observation.

When viewing Kanseki’s works, one gets the sense that even his animals are not merely realistic depictions, but are portrayed as beings with their own distinct personalities. There is a softness within his sharp brushwork, and a certain literati-like tranquillity pervades his landscapes and figure paintings. He appears to be an artist who, building upon a deep understanding of the classics, infuses his works with the very breath of what he has witnessed, thereby creating a unique sense of dignity on the canvas. I believe the appeal of Hashimoto Kanseki’s works lies in the coexistence of power and intellectual composure.