Suwa Sōzan is a master craftsman who epitomises Kyoto ceramics. In particular, the first-generation Suwa Sōzan (1851–1922) is renowned as a master of modern celadon. Born in Kanazawa, he was involved in production and instruction at the Kutani Pottery Company and the Ishikawa Prefectural Technical School before establishing his own studio in Kyoto in 1907. Drawing on his in-depth research into Chinese ceramics, he developed a wide range of techniques, including celadon, hi-celadon, nerikami and coloured painting; in particular, he established his own distinctive style through his celadon pieces characterised by a clear blue-green hue. In 1917, he was appointed an Imperial Artisan. Celadon incense burners are a common example of his work and are often accompanied by silver fireboxes crafted by Kuroroku.

When viewing Suwa Sōzan’s works, one is first struck by the serene beauty of the glaze. The colour of the celadon is not merely blue or green; depending on the light, it reveals subtle nuances reminiscent of water or jade, harmonising beautifully with the elegant forms of the vessels. Furthermore, whilst his works incorporating openwork and relief carving display a high level of technical skill, they retain an overall sense of calm dignity. To me, Sōzan’s works seem to be a form of ceramics that, amidst the flamboyant Meiji-era crafts, creates a profound presence precisely by restraining the use of colour. I believe their greatest charm lies in the way their technical mastery shines through amidst this tranquillity.