Munemaro Ishiguro (1893–1968) was a leading figure in modern Japanese ceramics, born in Toyama Prefecture and active primarily in Kyoto. Without a specific mentor, he mastered his craft through self-study whilst researching ancient Chinese ceramics from the Tang and Song dynasties, and developed a wide range of techniques with great skill, including Tenmoku, iron-painted ware, Koyaba Tenmoku and the ‘Sen-ten-mon’ pattern. In 1936, he built a kiln in Yase, Kyoto, and continued to produce highly original pottery throughout his life. In 1955, he was designated as one of the first Holders of Important Intangible Cultural Properties (Living National Treasures) under the system, in recognition of his ‘iron-glazed pottery’ technique.

Muneo Ishiguro’s works convey a deep respect for ancient Chinese ceramics, yet possess a freedom that goes beyond mere reproduction of these historical pieces. In his iron-glazed works in particular, subtle variations caused by the flame appear within the black and brown glazes, creating a rich sense of depth on the tranquil surface of the vessels. Furthermore, the rhythmic patterns seen in his ‘Sen-ten-mon’ (Thousand-Point Pattern) series and his fluid painting techniques reveal the literary sensibility unique to Munemaro, who, whilst a ceramic artist, was also well-versed in calligraphy and painting. Rather than flaunting technical skill, his works possess a dignity and nonchalance within vessels that appear, at first glance, simple; this is arguably the greatest charm of Munemaro Ishiguro’s work. He is an artist who has enjoyed popularity not only in recent years but for a long time.