Shikō Munakata (1903–1975), born in Aomori Prefecture, is one of the leading figures in modern Japanese printmaking. Focusing primarily on woodblock prints, he depicted Buddhist themes, literature, images of women and local scenes with powerful lines. He associated with figures from the Mingei Movement, such as Sōetsu Yanagi, and referred to his own woodblock prints as ‘ita-ga’ (wood-prints), placing great importance on the creative process of engaging directly with the woodblock itself.

His works retain the direct momentum of the carving process rather than relying on technical precision in the details. Whilst the figures of people and Buddhas are boldly simplified, this very simplicity serves to convey their expressions and prayers all the more powerfully. Simplicity and intensity coexist within the same composition, possessing a vitality that draws the viewer in.