Rokkaku Shisui (1867–1950) was a leading lacquer artist of modern Japan, born in Hiroshima Prefecture. He studied at the Tokyo School of Fine Arts and later devoted himself to nurturing the next generation as a professor at the same institution. Whilst researching traditional Japanese maki-e and lacquer techniques, he also turned his attention to the crafts of China, Korea and even Europe, creating works that incorporated modern designs whilst remaining grounded in tradition. He is also an important artist in that he sought to elevate lacquer art beyond the mere decoration of utilitarian objects to a form of independent artistic expression.

Rokkaku Shisui’s works combine the precision of classical techniques with a fresh sense of form characteristic of the Meiji and Taishō periods. Whilst making the most of the splendour of maki-e and raden, the arrangement of the patterns possesses a clean, rhythmic quality, and it is striking how the pieces never become overly heavy or opulent. To me, his works seem to reflect a deep understanding of traditional lacquer art, which he has re-connected to the aesthetic sensibilities of a new era. Their great appeal lies not only in the precision of the technique, but also in the quiet sense of ambition conveyed through his endeavour to pioneer modern craftsmanship.